June 28, 18 pm, Kang Contemporary, Lindenstrasse 90, Berlin. With Sabine Laidig, Katrin von Lehmann, Gudrun Petersdorff, Mile Saula.
Above: B-old or G-old. 130 cm x 200 cm, oil on canvas. Intersecting images.
SERENDIPITY
@ Kang Contemporary
Opens Nov. 17, 2023 through Jan 19, 2024
Group exhibition
https://www.kang-contemporary.com/serendipityartmostlyonpaper
"The group exhibition Serendipity - Art on Paper is dedicated to the conditions of emergence and testimonies of serendipity and concentrates primarily on the medium paper. Based on six different perspectives, the exhibition examines artistic ways of dealing with the material paper against a common production-aesthetic background. (...) Paper, with its highly plastic appearance, promises to be a great material for serendipitous excursions."
Review @ https://www.kaltblut-magazine.com/kang-contemporary/?utm_source=mutualart&utm_medium=referral
@ Kang Contemporary
Opens Nov. 17, 2023 through Jan 19, 2024
Group exhibition
https://www.kang-contemporary.com/serendipityartmostlyonpaper
"The group exhibition Serendipity - Art on Paper is dedicated to the conditions of emergence and testimonies of serendipity and concentrates primarily on the medium paper. Based on six different perspectives, the exhibition examines artistic ways of dealing with the material paper against a common production-aesthetic background. (...) Paper, with its highly plastic appearance, promises to be a great material for serendipitous excursions."
Review @ https://www.kaltblut-magazine.com/kang-contemporary/?utm_source=mutualart&utm_medium=referral
"That question..." 240 x 190 oil on canvas, handprinted linocut.
April 2023: Decision to focus on her studio practice in Lichtenberg in combination with teaching for financial reasons - school teaching in Berlin pays 30 % more than the professorship at the private Hochschule - while concentrating her teaching in one location: upper level classes in art in Berlin
( Gemeinschaftsschule).
Summer 2022: Project for students within the framework of WhoCares, Feminist Art Festival, funded by Hauptstadtkulturfonds.
Umsorgniserregend. Performance. Kollektive (Selbst)Ausbeutung
Studierende der HKS Ottersberg
Inga Bruns, Laura Clemens, Paula Freitag, Alice Goinar, Finn Hollstein, Amy Justen, Chantal Knickmeyer, Alica Lademann, Brenda Legler, Isabelle Liebe-Harkort, Josefine Loose, Ala Martens, Mira Schweiger und Marie Stietzel bilden das Kollektiv(e) Selbstausbeutung. Sie sind Studierende der Hochschule für Künste im Sozialen Ottersberg und gründeten das Kollektiv im Rahmen eines interdisziplinären, partizipativen Projektseminars von Lisa Glauer.
From September 2021 to April 2023 50% Professorship for Visual Art/Painting and participatory Strategies
at Hochschule für Künste im Sozialen, Ottersberg (while continuing teaching art in public school in Berlin, also 50 %. )
www.hks-ottersberg.de/hochschule/lehrende/glauer.php
"Zum neuen Semester stellen wir euch vier neue Professor*innen vor! Dr. Lisa Glauer hat bei uns nun eine Professur für Bildende Kunst/Malerei/Partizipative Strategien inne. Nicola Torke übernimmt eine Verwaltungs-Professur für Bildende Kunst/Bildhauerei. [] ist Professor für Neue Medien und Performative Künste (der Konzeptkünstler hat für seine aktuelle Arbeit seinen Namen abgelegt). Und unsere ehemals wissenschaftliche Mitarbeiterin Sara Schwienbacher ist ab sofort Professorin für Kunsttherapie mit dem Schwerpunkt künstlerische und kunstbasierte Forschung. Wir heißen alle herzlich willkommen! "
Participatory strategies for producing paintings can be used to to deconstruct, expand and question traditional ideas of painting as emanating from a central figure who is well established as "genius" in eurocentric art history. Participation can mean the inclusion of people who do not see themselves as artists in the practice of image production itself as well as authorship. A spatial in-between is created that can be dealt with in very different ways while dealing with questions about the specificity of painterly skill, technique and craftsmanship at the interface to other disciplines.
"Power politics shape existences on the most physical level: Inside the sealed walls of the modern clinic, men in white ruled supreme, subjecting the bodies of women to their patriarchal standards of health and sanity. Medicine has a lot to account for. Still, it presses ahead into the future, promising technical progress. Pointing to the unholy legacy of this history, artist Lisa Glauer measures out the symbolic distance between the two charged sites, the Frauenklinik of Berlin's Charité, and a forthcoming prestigious extension, the Futurium. She marks the path from one to the other with the flow of breastmilk down a steep illuminated ramp: a tribute to women's struggle and the resistance against the governance of life."
Jan Verwoert, curator, in: Close, never closer. October 2017.
Lisa Glauer’s work offers a discourse on the border between masculine & feminine, authority and nature. She uses breast milk to compose her pictures and yet introduces provocative symbols of war and man made design into her landscapes. Part scientist, part political analyst, Glauer brings together her experience as a mother, rebel and observer into her artistic play as she disputes borders of all kinds.
Simon Williams, Ballery
Jan Verwoert, curator, in: Close, never closer. October 2017.
Lisa Glauer’s work offers a discourse on the border between masculine & feminine, authority and nature. She uses breast milk to compose her pictures and yet introduces provocative symbols of war and man made design into her landscapes. Part scientist, part political analyst, Glauer brings together her experience as a mother, rebel and observer into her artistic play as she disputes borders of all kinds.
Simon Williams, Ballery
Spacer (Abstandhalter) 2021
How can we participate in shaping and perhaps transforming what lies between us, maintaining enough (inter)personal space? A structure based on a hooped skirt was produced using material from the hardware store and tape. Brushes attached to the hoops mark the ground, creating a record of the dance that was danced.
Painting and Participatory Strategies, Kunsthochschule Ottersberg
How can we participate in shaping and perhaps transforming what lies between us, maintaining enough (inter)personal space? A structure based on a hooped skirt was produced using material from the hardware store and tape. Brushes attached to the hoops mark the ground, creating a record of the dance that was danced.
Painting and Participatory Strategies, Kunsthochschule Ottersberg
Leviathan: A Capitalocene Beastiarium
Exhibition
08 – 25 July 2021 | Thursday to Sunday, 15:00–20:00
Public Program on July 11th, 18th and 23rd.
Artists: Yoav Admoni, Lisa Glauer, Tea Mäkkipää, Sybille Neumeyer, Jaanika Peerna, Moran Sanderovich, Kaethe Wenzel, Michael John Whelan.
Conceptualization and Co-curation: Tuçe Erel, Lisa Glauer, and Kaethe Wenzel
Lisa Glauer’s Skyjacking Across Borders with Toy Guns is part of the series of human-milk drawings, which criticizes and explores the contamination of human and nonhuman milk through human-made pollution of natural resources. Additionally, Glauer’s artistic research unpacks the power politics over borders and biopolitics, especially the hegemonic power over the female body. She is using human milk in her paintings to display the horrific scenes in the border cities such as Tijuana/San-Diego, where Glauer did research in depth in the last years.
www.top-ev.de/exhibition/leviathan/
THRU FEB. 6, 2020
=> group show 11 ARTISTS opens Nov. 13, 2020, at Kang Contemporary, Berlin, Lindenstrasse 90, runs through January 16, 2021.
In a time of distance and isolation, KANG Contemporary gallery is presenting eleven of its artists together, bringing their work into the foreground in the shared exhibition, Eleven: Artists of the Gallery.
Formally, Lisa Glauer's artistic work is characterized by, among other things, her experimentation with a variety of techniques, materials and forms. In Landing Strip for the Milky Way, her last solo exhibition (2019) at KANG Contemporary, Glauer worked with a whole range of different media: with drawings in pencil and milk, a neon light work, a short film, an installation, and an analog linoleum print. For Eleven: Artists of the Gallery the artist has chosen linocuts – colored images of organs – between abstraction and concreteness.
=> group show 11 ARTISTS opens Nov. 13, 2020, at Kang Contemporary, Berlin, Lindenstrasse 90, runs through January 16, 2021.
In a time of distance and isolation, KANG Contemporary gallery is presenting eleven of its artists together, bringing their work into the foreground in the shared exhibition, Eleven: Artists of the Gallery.
Formally, Lisa Glauer's artistic work is characterized by, among other things, her experimentation with a variety of techniques, materials and forms. In Landing Strip for the Milky Way, her last solo exhibition (2019) at KANG Contemporary, Glauer worked with a whole range of different media: with drawings in pencil and milk, a neon light work, a short film, an installation, and an analog linoleum print. For Eleven: Artists of the Gallery the artist has chosen linocuts – colored images of organs – between abstraction and concreteness.
NEWS
Onlookers, Part II, 2020 Linoleumprint, 250 x 180 cm, handprinted in oil on canvas.
interview
group show WHO CARES opens Nov. 6, 2020 at Feldfünf, Berlin, Lindenstrasse 90
curated by I-collective/Valeria Schwarz
>>> The Who Cares? Feminist Art Festival turned into a showcase edition
The works by the participating artists will be on display from November 6th to November 15th, presented as a window installation at feldfünf e.V. We invite strollers to a mindful art walk with social distancing and masks in the open air. Also, we have redesigned all planned workshops to now take place virtually.
Who Cares? creates a framework for thinking about Care as an essential condition for maintaining human and non-human life. In the course of our lives, all of us encounter Care in one way or another. We are reliant on it as newborns, when we are sick or at the end of our lives. Most of us care, feel care, and are cared for. To recognize that no single person can survive without other people´s Care is also to acknowledge our own vulnerability and interdependency.
Care is present in each action that has to be performed in order to maintain and repair our world, so that we can live in it as well as possible. It means caring not only for our own bodies and minds but also for our environment. Whether we are aware of it or not, all human and non-human beings are intertwined in an existence-sustaining web that needs Caring for life to continue. But Care is seldom reciprocal because each giving is not followed by equal taking. Therefore, it challenges the usual understanding of justice.
WEBSITE
Onlookers, Part II, 2020 Linoleumprint, 250 x 180 cm, handprinted in oil on canvas.
interview
group show WHO CARES opens Nov. 6, 2020 at Feldfünf, Berlin, Lindenstrasse 90
curated by I-collective/Valeria Schwarz
>>> The Who Cares? Feminist Art Festival turned into a showcase edition
The works by the participating artists will be on display from November 6th to November 15th, presented as a window installation at feldfünf e.V. We invite strollers to a mindful art walk with social distancing and masks in the open air. Also, we have redesigned all planned workshops to now take place virtually.
Who Cares? creates a framework for thinking about Care as an essential condition for maintaining human and non-human life. In the course of our lives, all of us encounter Care in one way or another. We are reliant on it as newborns, when we are sick or at the end of our lives. Most of us care, feel care, and are cared for. To recognize that no single person can survive without other people´s Care is also to acknowledge our own vulnerability and interdependency.
Care is present in each action that has to be performed in order to maintain and repair our world, so that we can live in it as well as possible. It means caring not only for our own bodies and minds but also for our environment. Whether we are aware of it or not, all human and non-human beings are intertwined in an existence-sustaining web that needs Caring for life to continue. But Care is seldom reciprocal because each giving is not followed by equal taking. Therefore, it challenges the usual understanding of justice.
WEBSITE
Onlookers, 2019. 3/3. Linoleumprint, 240 x 120 cm, hand (and foot) printed in oil on canvas, and painted. First produced for exhibition CTRL ALT DEL, SHE SAID at alphanova galerie futura, Flutgraben 3, Berlin.
=> Material resists Concept,
DAAD funded online kick off talk, Riga, Dresden, Budapest
=> Visiting artist at Suffolk University, Milky Images, UK, February 2020
=> group show TERRITORIUM opens JULI 31 2019 in TIJUANA
On View: ONLOOKERS
Partially funded by IFA (Institut für Auslandsbeziehungen): "Exhibition opening | The exhibition links artistic, spatial and political practices through a series of curated meetings, workshops, performances, screenings and lectures. Centred in the nexus of the Mexican-US frontier region the impacts of the contemporary border show spatial implications across the city. The project will gather ongoing works from a wide range of artistic practices into a transient, preliminary constellation. TERRITORIUM: TIJUANA is hosted by the Instituto Municipal de Arte y Cultura, IMAC.
IFA Funded artists: Birgit auf der Lauer, Caspar Pauli, Dirk Fleischmann, Margarita Garcia, Lisa Glauer, Jan Lemitz, Angelika Levi, Mario Rizzi"
More Info:
https://territorium-tijuana.org/category/artistas/
Exhibition: 31.07.2019 – 22.09.2019
ONLOOKERS was produced for TERRITORIUM based on an archival image showing lecture hall public in the former women's clinic on the Charité Campus in Berlin, close to the former "iron curtain" between East and West, transported to the border region of San Diego/Tijuana. They are shown being trained by this scholarly, medical institution, to look at the female/earthly/body as a/n re/productive object to be dissected, understood, analyzed...exploited. Who are they? How easy is it to "teach" (subject) people in this way? What role do "onlookers" trained into a certain habitus by social constraints and normativity, play in re-producing traditional power relations?
How effectively critical of these power relations can they be without risking being ostracized from this group they are learning to be part of?
- May 9, 2019 Introduction to Tina Griffith's Phantombild der Widerständigen, (the accompanying film was produced by Tina Griffith in collaboration with Anatol Schuster) in preparation for my student course Bodylandscapingtime (IFKIK & nGbK), on the occasion of becoming part of the GedenkOrt.Charité's new permanent collection of art, to be publicly installed at Anatomie, Charité Campus Mitte. Part of the Event Informieren und Mahnen - Symposium. Kick-Off 17:00. Permanently on view on the publicly accessible "Anatomie" at the Charité Medical Center, in Berlin.
- May 16 book release "Are you a social practice artist or a painter?" (published and available via Revolver Verlag, at Kang Contemporary, Lindenstrasse 90 and at Hopscotch Reading Room, Berlin) @ Kang Contemporary 19:00 pm. Introduced and moderated by Tuce Erel, from Top e.V. , with introductory author Kathrin Ganser, and surprise guest and Mark Gisbourne. Thank you to all of you for a fabulous evening!!
- May 25 #monumentagainstpatriarchy at ZUKUNFTSLAND
OPENED April 10
April 11 - May 31, 2019
Kang Contemporary
Lindenstrasse 90
10969 Berlin
"In Landing Strip for the Milky Way, Lisa Glauer exhibits various series of artwork and light installations using diverse media. One series involves multi-layered drawings on paper in various shades of ochre yellow, dark orange and brown. Back-lit with LED light panels, they depict military technology developed by the arms industry.
Her investigative research led her to the urban SanDiego/Tijuana border area. A man-made steel barrier is currently being erected to literally wall-off humans attempting to migrate. The increased impermeability and physical density found here – along with a massive industrial presence – interfere with the natural flow of water. " (more)
April 11 - May 31, 2019
Kang Contemporary
Lindenstrasse 90
10969 Berlin
"In Landing Strip for the Milky Way, Lisa Glauer exhibits various series of artwork and light installations using diverse media. One series involves multi-layered drawings on paper in various shades of ochre yellow, dark orange and brown. Back-lit with LED light panels, they depict military technology developed by the arms industry.
Her investigative research led her to the urban SanDiego/Tijuana border area. A man-made steel barrier is currently being erected to literally wall-off humans attempting to migrate. The increased impermeability and physical density found here – along with a massive industrial presence – interfere with the natural flow of water. " (more)
Fotos: Hannes Wiedemann
CTRL + ALT + DEL She said
Lisa Glauer & Magdalena Kallenberger
alphanova galerie futura
Flutgraben 3, Berlin
Opening & Artist Talk 30.3.19 // 19:00
20:00, Artist Talk. Moderation: Margarita Certeza Garcia
Event auf facebook
Exhibition: 31.3.– 27.4.2019, Mi-Sa 16:00-19:00
Open printmaking workshop on the #monumentagainstpatriarchy: 26.4./27.4.19 // 16:00–19:00
[email protected] for participation or forward any personal encounter with the #monumentagainstpatriarchy!
Photos: Katharina Koch, full gallery view: Hannes Wiedemann
Re/Hacking the Public. Of Linomonsters and other Comical Expansions
280 x 200 cm x 2, 120 kg x 2, Linoleum on MDF
Oktober 2018
What if it won’t stop here? curated by Jan Verwoert, Archive Books, Berlin
with Marco Donnarumma, Kerstin Ergenzinger, Lisa Glauer, Bnaya Halperin-Kaddari, Darsha Hewitt, Nino Klingler, Kiran Kumar, Clarissa Thieme und Zeynep Tuna.
I have begun doing comics, comix and hugely oversized linocut installations. The drawings are based on photos of the lecture halls for gynecology. They are expanding beyond studio boundaries like warm Hefeteig and I am trying to contain them...
280 x 200 cm x 2, 120 kg x 2, Linoleum on MDF
Oktober 2018
What if it won’t stop here? curated by Jan Verwoert, Archive Books, Berlin
with Marco Donnarumma, Kerstin Ergenzinger, Lisa Glauer, Bnaya Halperin-Kaddari, Darsha Hewitt, Nino Klingler, Kiran Kumar, Clarissa Thieme und Zeynep Tuna.
I have begun doing comics, comix and hugely oversized linocut installations. The drawings are based on photos of the lecture halls for gynecology. They are expanding beyond studio boundaries like warm Hefeteig and I am trying to contain them...
recent publications
Im Katalog, Neuerscheinung!
https://www.bebra-wissenschaft.de/images/Vorschau/Vorschau_Wissenschaft_H2018.pdf
- Are you a Social Practice Artist or a Painter? Walking from Frauenklinik to Futurium.
- The Body Speaks. Backstage comments on Broaching the Next Man Suit Barrier.
- Amputierte Erinnerung an der Grenze zu Medizin und Kunst.
Im Katalog, Neuerscheinung!
https://www.bebra-wissenschaft.de/images/Vorschau/Vorschau_Wissenschaft_H2018.pdf
- Pleasing Machines. Artistic Design Research. Gagafeminism at the Edge of SciFi.
- Skyjacking Across Borders with Toy Guns.
Out now!
Leporello - Episode one. BROACHING THE NEXT MAN SUIT BARRIER...wherein Precarious Artistic Researcher (her real name is Patricia Andersdottir Roth), a few TOP DOGS, Robert, and FcoFF (Freedom co-Fighter Friend) discuss the how of things and wonder what to do with the #monumentagainstpatriarchy ... while her body talks back! - It fits in your pocket, and is a great companion for meandering through institutional barriers...
14 pages, folds out to 140 cm
contact: lisaglauer.com or directly email to
[email protected] for distributors
Leporello - Episode one. BROACHING THE NEXT MAN SUIT BARRIER...wherein Precarious Artistic Researcher (her real name is Patricia Andersdottir Roth), a few TOP DOGS, Robert, and FcoFF (Freedom co-Fighter Friend) discuss the how of things and wonder what to do with the #monumentagainstpatriarchy ... while her body talks back! - It fits in your pocket, and is a great companion for meandering through institutional barriers...
14 pages, folds out to 140 cm
contact: lisaglauer.com or directly email to
[email protected] for distributors
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The Body Speaks. Backstage comments on Broaching the Next Man Suit Barrier.In: What if it won’t stop here? Eds. Jan Verwoert und Daniel Pies, Archive Books, 2018
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August 2018
Lisa Glauer / Wolfgang Knapp
Erinnern und Vergessen
Zwischen Medizin und Kunst
Reihe Charité-Hefte, H. 4
Hg: Hans Peter Schmiedebach/ Thomas Beddies
Be-bra Verlag für Wissenschaft
https://www.bebraverlag.de/verzeichnis/titel/834-erinnern-und-vergessen.html
Lisa Glauer / Wolfgang Knapp
Erinnern und Vergessen
Zwischen Medizin und Kunst
Reihe Charité-Hefte, H. 4
Hg: Hans Peter Schmiedebach/ Thomas Beddies
Be-bra Verlag für Wissenschaft
https://www.bebraverlag.de/verzeichnis/titel/834-erinnern-und-vergessen.html
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July 2018
Pleasing Machines Lisa Glauer/Helge Oder in: Half life, Hg. Käthe Wenzel und Manfred Blohm, Europa Universität, Flensburg Fabrico Verlag Hannover Book release party at art laboratory, Berlin, July 4,2018 |
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Material Resists Concept - Painting Beyond Futurium
June 4, 2018 - Trial lecture, at Trondheim Academy of Fine Art, for an associate professorship in “Painting and Beyond”. see also: PAR prepares her talk |