MILK DRAWING
"The milky drawing functions like a an x-ray image. It exposes what is not immediately obvious through properties of the brushstrokes and the characteristics of the drawing lines. It is analytical. Is it also synthetic in the sense that something new can be put together after the analysis has taken apart and split into tiny visual and narrative episodes what lays before us?"
(Helge Oder, Skyjacking Above, Tunnel Below, Deconstructing Border, published on the occasion of the exhibition at nGbK, 2017)
"The milky drawing functions like a an x-ray image. It exposes what is not immediately obvious through properties of the brushstrokes and the characteristics of the drawing lines. It is analytical. Is it also synthetic in the sense that something new can be put together after the analysis has taken apart and split into tiny visual and narrative episodes what lays before us?"
(Helge Oder, Skyjacking Above, Tunnel Below, Deconstructing Border, published on the occasion of the exhibition at nGbK, 2017)
Skyjacking Across Borders with Toy Guns, 2017
60 x 120 cm x 8
3 layers, backlit, human milk on paper, burnt
Exhibited at The Ballery, nGbK, OKK Berlin and Kang Contemporary.
Publications:
What if it won't stop here? Eds. Jan Verwoert, Daniel Pies, Archive Books, 2018
Erinnern und Vergessen, be-bra Verlag für Wissenschaft. Eds. Thomas Beddies, Hans Peter Schmiedebach, 2018.
Border City, chapter II. Bauhaus-Universität, Weimar, 2018.
Are you a Social Practice Artist or a Painter? Monograph, with an introductory text by Kathrin Ganser. Revolver Verlag, 2019.
60 x 120 cm x 8
3 layers, backlit, human milk on paper, burnt
Exhibited at The Ballery, nGbK, OKK Berlin and Kang Contemporary.
Publications:
What if it won't stop here? Eds. Jan Verwoert, Daniel Pies, Archive Books, 2018
Erinnern und Vergessen, be-bra Verlag für Wissenschaft. Eds. Thomas Beddies, Hans Peter Schmiedebach, 2018.
Border City, chapter II. Bauhaus-Universität, Weimar, 2018.
Are you a Social Practice Artist or a Painter? Monograph, with an introductory text by Kathrin Ganser. Revolver Verlag, 2019.
"...So am Beispiel von "Skyjacking Across Borders with Toy Guns" der Künstlerin und Kuratorin Lisa Glauer, deren künstlerische Praxis bei einer ersten Begegnung einer gewissen Irritation nicht entbehren. Sie malt Bilder der Militarisierung von Waffen und Grenzsoldaten mit Muttermilch, die sie in der Region um San Diego im Internet bestellt. "Muttermilch ist der Inbegriff von Reinheit, von unbelasteter Natürlichkeit. Nicht so in der Gegend von San Diego, wo Mauerbau und Militarisierung die Umwelt extrem verschmutzen und in der sich die chemische Belastung der Muttermilch im Labor nachweisen lässt." so die Künstlerin und Kuratorin Margarita Certeza Garcia."
Anneli Botz, Kunstforum International, Teil 2, 250.
Milky Drone, QH 50D, 2012
100 x 70 cm
Human milk and milk powder on paper, ironed.
Series of 5, variations.
100 x 70 cm
Human milk and milk powder on paper, ironed.
Series of 5, variations.
aircraftcarrier, contemporary utopian, 2012
200 x 100 cm
human milk, milkpowder, ironed.
In the collection of Daniela Brasil.
200 x 100 cm
human milk, milkpowder, ironed.
In the collection of Daniela Brasil.
AKW, distorted, 2014
120 x 70 cm
human milk, condensed milk and milk powder on paper, ironed
120 x 70 cm
human milk, condensed milk and milk powder on paper, ironed
AKW, voll berstig, 2014
150 x 70 cm
Human milk and condensed milk on paper, ironed
150 x 70 cm
Human milk and condensed milk on paper, ironed